How I Created This Floating Cookies Photo (With Kabob Sticks + Photoshop)

Simple DIY photo magic you can do at home — no fancy rigs required.

Chocolate chip cookies appearing to float in midair above a white plate, photographed against a blue background using a levitation photography technique.

Most people see a shot like this — perfectly suspended chocolate chip cookies mid-air — and assume it was done with expensive equipment, elaborate rigs, or high-end compositing tools.

But the truth?

This entire photo was created in under an hour using:

  • a plate
  • a $5 pack of kabob sticks
  • a blue poster board
  • a flash/strobe/light source
  • …and some Photoshop layer magic

Yep. That’s it.

And you can absolutely recreate this at home.

This tutorial breaks down every step, including setup, lighting, how I photographed each cookie, and how the final composite was built.


1. Concept: Make Gravity Optional

Levitation photography looks complicated — which is why it performs so well on blogs, Pinterest, and Instagram.

But the concept is incredibly simple:

Photograph each cookie separately, supported by something that can be edited out later — then combine the images into one seamless scene.

The secret isn’t exotic gear.

It’s control, neat lighting, and attention to variation.


2. The Gear I Used

Camera icon used for gear section The Gear I Used For This Shot:

(My daughter made the cookies).

Software

  • Adobe Photoshop (or anything with layers + masks)

3. Build the Set (Super Simple)

Here’s the basic setup:

  1. Place your surface (marble slab, kitchen counter, or fake surface) on your table.
    • My “surface” was just a piece of white foam core, with some marble print contact paper stuck to it. Super simple and cheap–and it looks like a marble countertop!
  2. Add a plate, then position a small foam wedge under a couple of cookies to lift them visually.
  3. Clamp or tape the blue poster board behind your surface so it fills the background.
  4. Position your light source to camera-left, angled slightly down.

How can you tell the light position?

  • Look at the plate’s shadow on the surface.
  • Look at the bright highlight on the upper-left of the poster board.
  • Look at the gentle gradient darkening toward the lower right.

This shot is basically a lighting class disguised as cookies.


4. Photograph the “Base Plate”

Before you photograph any floating cookies, photograph the clean scene:

  • plate
  • background
  • static cookies
Base setup for the levitation photo showing a white plate with cookies on a marble-style surface against a blue background before compositing.

This becomes your foundational layer in Photoshop.


5. Skewer Those Cookies (The Part Everyone Loves)

This is where the magic happens.

Single chocolate chip cookie photographed midair on a wooden skewer, positioned above a plate to be composited into a levitation image.
Single chocolate chip cookie photographed midair on a wooden skewer, positioned higher above a plate to be composited into a levitation image.
Single chocolate chip cookie photographed midair on a wooden skewer, held at an angle, positioned above a plate to be composited into a levitation image.
Single chocolate chip cookie photographed midair on a wooden skewer, positioned high above a plate to be composited into a levitation image.
Single chocolate chip cookie photographed midair on a wooden skewer, held much closer to the plate to be composited into a levitation image.
Single chocolate chip cookie photographed midair on a wooden skewer, positioned above a plate and to the left of the scene to be composited into a levitation image.

Take a wooden kabob stick and:

  1. Skewer a cookie.
  2. Hold it above the plate at a believable height.
  3. Take a photo.
  4. Change angle.
  5. Take a photo again.

Using different cookies for different positions makes the final composite look organic instead of “pasted.” Repeat until you’ve photographed enough floating cookies to build your scene.

I captured about 9 frames of “floating cookies” in different positions. In the end, I only used 6 of them.


6. Bring Everything Into Photoshop

Here’s the workflow:

A. Start with your base plate

Drop the static plate shot at the bottom of your layer stack.

B. Add each cookie as its own layer

Import your cookie shots one by one.

C. Mask out the kabob stick and your hand

Quick Selection
→ Layer Mask
→ Soft brush to refine
Boom. Floating cookie.

D. Move each cookie into position

Rotate.
Scale.
Arrange.

Make sure:

  • no two cookies have identical shadows
  • shapes vary
  • spacing feels natural

E. Feather edges slightly

A 1–2 px feather often blends edges perfectly without looking fake.

F. Add a subtle shadow if needed

A soft, low-opacity brush under the cookies ties them into the scene.

You’re not painting realism — you’re painting believability.


7. Build a Composition With Rhythm

Good levitation shots follow visual flow:

  • A tall vertical “stack” of cookies
  • A cluster at the bottom
  • Diagonal or arc-shaped motion

Your final image should feel like you caught the moment right before the cookies land.

That sense of motion frozen in time is what makes this shot pop.


Finished levitation photograph of chocolate chip cookies floating above a plate, created using simple props and Photoshop compositing.
A finished levitation photo created with wooden skewers, a single light, and simple Photoshop masking.

8. Final Color/Tone Polish

A few small touches finish it off:

  • slight contrast boost
  • gentle vignette (optional)
  • warm or cool color correction
  • sharpening on the cookies’ edges

And just like that — you’ve created a commercial-style floating cookie photo from nothing more than some simple props.


9. What Makes This Shot Work So Well

Here’s why people LOVE this technique:

✔ It looks impossible

Suspended cookies are inherently eye-catching.

✔ It’s incredibly easy

No special gear. No studio. No money.

✔ The Photoshop work is satisfying

Removing kabob sticks = magic trick reveal dopamine.

✔ It’s repeatable

Anyone can do this.

✔ It uses high-value photography concepts

  • lighting
  • depth
  • compositing
  • variation
  • visual flow

10. Final Thoughts

This entire project — setup, photo captures, and editing — took less than an hour.

I created this post because this is the kind of tutorial I personally wish existed online years ago. Photos like this are the type of content that’s fun and satisfying to create.

It’s simple.
It’s clever.
It’s photogenic.
And it’s fun.

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